Hangout with Carla B.Guttmann: How to meet the buyers of your talent at film festivals & find work
We are thrilled to host Canadian film director and coach Carla B.Guttmann in a networking Q&A about boosting your presence and optimising your networking at A-list Festival. This meeting is especially designed for actors, writers, directors, composers, editors, & set designers who want to get clear results at top festivals
WHAT ARE EWA NETWORK ONLINE HANG-OUTS?
Through an online space where EWA members from all around can connect and know each other, we organise once a month a meeting where an expert introduces a topic followed by Q&A and members can interact. Each meeting will last 1hour aprox and it's open to 20-25 EWA members, who can introduce themselves and participate in the following Q&A.
An invitation to join the talk will be sent to EWA members (first come, first served basis).
If you are not a member you can become one here
More about Carla B. Guttmann
Carla B. Guttmann is a Canadian director and A-list festival coach. Her A-list festival coaching puts actors in touch with directors, producers, and agents in personalized meetings from all over the world. It is based on a strategy of pre-booking 1:1 meetings by getting into specific festival databases before the festival even begins. Her main focus is Cannes, Berlinale, TIFF, and Gothenburg, but these strategies can be applied to all A-list festivals.
To date, she has worked with actors in over 23 countries such as the US, Canada, the UK, Ireland, Germany, Switzerland, Austria, Poland, Sweden, Denmark, Norway, Italy, France, Spain, Portugal, Cyprus, Bulgaria, Turkey, Ukraine, Argentina, India, Israel, and Greece.
Her biggest success stories include actors who signed with Crawford Talents, Friends Connection and Hobrig managements during Berlinale; actors who signed with Rose and Mane, Ray Talents and Maison des Artistes while at Cannes; actors who booked 1:1 meetings with the producers of Oscar -winning “All is quiet on the western front” while at Cannes; actors who left Berlinale with several auditions after their 1:1 meetings at the European Film Market (EFM); and actors who used the EFM in Berlin and the Marché du Film at Cannes to sell their tv series to streamers.